Kuwait author wins Arabic book prize for tale of foreign workers

LONDON (Reuters) - Kuwaiti author Saud Alsanousi has won the 2013 International Prize for Arabic Fiction for his portrayal of the lives of foreign workers in Gulf countries in "The Bamboo Stalk".

The 31-year-old Alsanousi became the youngest winner in the $50,000-prize's six-year history for the story seen through the eyes of Issa, the son of a Kuwaiti father and a Filipina mother.

"All the judges agreed on the superior quality of this novel, both artistically and also in terms of its social and humanitarian content," the panel's chair Egyptian writer Galal Amin said in a statement on Tuesday.

On returning to his father's homeland as an adult, Issa finds himself in a difficult position.

Rather than the mythical country his mother has described to him, he discovers he is caught between the natural, biological ties he shares with his father's family and the prejudices of a traditional society, which views a child of Kuwaiti-Filipina heritage as socially unacceptable.

Alsanousi's work has appeared in a number of Kuwaiti publications, including Al-Watan newspaper and Al-Arabi, Al-Kuwait and Al-Abwab magazines and he currently writes for Al-Qabas newspaper. He wins $50,000.

His first novel "The Prisoner of Mirrors" was published in 2010 and in the same year won the fourth Laila al-Othman Prize, awarded for novels and short stories by young writers.

Alsanousi beat five other finalists for the prize. Each finalist, including the winner, will receive $10,000.

The other finalists were Iraqi Sinan Antoon for "Hail Mary", Tunisian Houcine El Oued for "His Excellency the Minister", Lebanese author Jana Elhassan for "Me, She and the Other Women", Saudi Mohammed Hasan Alwan for "The Beaver" and Egyptian Ibrahim Issa for "Our Master".

The prize is supported by the Booker Prize Foundation in London and funded by the Abu Dhabi Tourism & Culture Authority, which marks its first year as the new sponsor in 2013.

(Reporting by Paul Casciato; Editing by Alison Williams)

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Michael Jackson wrongful death trial set to get underway Monday

LOS ANGELES (Reuters) - The civil trial over the death of Michael Jackson is set to get formally underway next week after jury selection was completed on Tuesday in the $40 billion case that pits the pop star's mother against concert promoters AEG Live.

Six alternate jurors were chosen on Tuesday following the selection a day earlier of a jury of six men and six women for what is expected to be an emotional three-month trial.

The conclusion of the month-long search for a jury set the stage for opening statements to begin in Los Angeles Superior Court on Monday.

Jackson's 82-year-old mother, Katherine, is suing AEG Live, the promoters of his never-realized series of 2009 London comeback concerts, for the wrongful death of her son.

The lawsuit alleges AEG Live was negligent in hiring Dr. Conrad Murray to care for the singer while he rehearsed for a series of 50 shows.

AEG Live contends that it did not hire or supervise Murray and that Jackson was addicted to prescription drugs for years before he agreed to do the "This Is It" London concerts.

The concert promoters also argue that they could not have foreseen that Murray, who was convicted in 2011 of involuntary manslaughter in Jackson's death, posed a danger to the singer.

Jackson, 50, died in Los Angeles on June 25, 2009, from a lethal dose of the surgical anesthetic propofol that Murray was administering for sleep problems. Murray, who is not being sued, formally appealed against his criminal conviction on Monday.

Potential witnesses in the civil trial include Jackson's mother, his two oldest children, Prince, 16, and Paris, 15, as well as Murray, singers Prince and Diana Ross, and Jackson's ex-wives, Lisa Marie Presley and Debbie Rowe.

Katherine Jackson and her son's three children are seeking some $40 billion in damages from privately held AEG Live for loss of the singer's earnings and other damages. The final amount will be determined by the jury should it hold AEG Live negligent.

(Reporting by Jill Serjeant; Editing by Eric Beech)

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Gwyneth Paltrow named People's most beautiful woman

LOS ANGELES (Reuters) - Oscar-winning actress Gwyneth Paltrow on Wednesday was named the world's most beautiful woman for 2013 by People magazine, knocking pop singer Beyonce out of the top spot.

The 40-year-old mother of two credits a five-day-a-week exercise regimen for keeping her in shape as she grows older.

"It makes me look younger and feel strong," Paltrow told the magazine. "When I first started, I thought, 'I'll never be good at this. This is a nightmare!' But now it's like brushing my teeth, I just do it."

It is the fourth time Paltrow, who is married to Coldplay singer Chris Martin, has been named to the magazine's annual beautiful people issue, but the first time landing the coveted cover as most beautiful woman.

She joins the likes of fellow actresses Jennifer Lopez, Julia Roberts, Halle Berry and Jennifer Aniston to top the list.

Paltrow reprises her starring role as Pepper Potts in the action film "Iron Man 3," which opens next month.

The actress has cut back her film work after giving birth to children Apple, 8, and Moses, 7, and released her second cookbook, "It's All Good," this month.

She is also the founder of lifestyle and clothing website Goop.com.

Paltrow won an Oscar for her role as William Shakespeare's muse in the 1998 film "Shakespeare in Love."

The full list of People's "World's Most Beautiful People" can be found on www.people.com/mostbeautiful

(Reporting by Eric Kelsey; Editing by Sandra Maler)

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A Minute With: Colin Firth from royal to ordinary "Arthur Newman"

By Zorianna Kit

LOS ANGELES (Reuters) - After winning a Best Actor Oscar for playing a stuttering British royal in 2010 film "The King's Speech," Colin Firth is back on screen as a character who appears ordinary to the point of boring in indie drama "Arthur Newman."

Opening in select U.S. movie theaters on Friday, Firth plays an American man who is dissatisfied with his life and hits the road with a new identity. Things get derailed when he meets Mike (Emily Blunt) a troubled young woman fleeing from her own issues.

Firth, 52, sat down with Reuters to talk about the film and life after his first Oscar win, and the (dimming) prospects of a third "Bridget Jones' Diary" movie.

Q: What made you follow up an Academy Award win with a little indie like "Arthur Newman?"

A: At the time, the title of the film was "Arthur Newman Golf Pro" and I found it so off-putting, it perversely made me more intrigued. I thought by putting 'golf' in the title, the film wouldn't be exactly marketable.

Q: How's that?

A: If you don't like golf, you won't go to see the film. And if you like golf, you're going to be disappointed because it's not about golf. It was almost provocative in how willfully unmarketable it was, so I wanted to see what was inside.

Q: And what did you find?

A: A man who seemed steeped in ordinariness. In fact, he's pronounced to be boring by several characters in the movie. So yes, he really is incredibly boring and that intrigued me. It always has. What is actually going on? What are the dynamics behind somebody languishing in a disappointing suburban life? What heroism is possible?

Q: How do you play someone like that? Where do you look to find a common thread?

A: We trap ourselves in all sorts of ways, however unusual or extraordinary our existence might seem from the outside. There are all kinds of ways in which we find ourselves on a treadmill.

If people dare to test the boundaries and step outside, it's often characterized as running away from problems. But you can't look at it that way. In Arthur Newman's case, in some ways he was probably running in to something that was more awake and more authentic.

Q: You can't possibly have any hint of dissatisfaction after winning an Oscar, can you?

A: That's not true, because you've got the rest of your tasks ahead of you. Of course there's immense reassurance (in having an Oscar) and it does give you a license for a certain freedom to do what you want and not have to prove something.

Q: Did you find that things changed for you after you won?

A: Not quickly. In some ways it's happening now....An Oscar doesn't suddenly work the miracle that manufactures a plethora of great writers who are suddenly ready to come to you with fully financed films, with the right director attached, landing on your table, saying: Take your pick. It's not as coherent as that.

Q: Have you been able to use the Oscar to your advantage?

A: Yes. It definitely opens doors. There are ways in. If you want to reach somebody to get the collaboration on something, they'll talk to you. That's a very powerful difference I've noticed.

Q: Do you like that?

A: Yeah, I do. It's useful. I think that's probably the healthiest way to look at it, rather than have something that gets preserved on a shelf. Take it and use it as a tool. Then it has meaning rather than just something to look back on. You can't live on one moment. And you can't allow either a crisis or a triumph to be the only thing that defines you.

Q: You have a lot of films on your plate due this year and next: Atom Egoyan's "Devil's Knot" and two back-to-back films with Nicole Kidman. What's the status on the sequel to "Bridget Jones' Diary?"

A: We've been teasing people a little bit because there have been plans but they're on ice now.

Q: Are you disappointed?

A: Not in the abstract. I don't spend my life thinking, "I hope there's another 'Bridget Jones.'" I like the character and I like the story. I think (author-screenwriter) Helen Fielding is a wonderful writer. Where she began to take it in this next stage now that we're all older is actually more interesting than it was in some ways back then. So if there's a good story and a good script, I'll think about it on that basis.

(Reporting By Zorianna Kit, editing by Jill Serjeant and Cynthia Osterman)

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"Community's" Jim Rash Talks Writing 'Freaky Friday' Episode, Getting Revenge on Joel McHale

(Note: Strong language in para 8)

By Jethro Nededog

LOS ANGELES (TheWrap.com) - Jim Rash hasn't let his Oscar for co-writing "The Descendants" go to his head.

"Oscar or no Oscar, it doesn't matter," Rash told TheWrap.

"It's like, 'You did that, great. Now, do it again' or 'Let's see if you got what it takes.' The pressure is always going to be there no matter what," he continued. "So I feed off that pressure, because obviously I want to do the best job as I can. But, it really doesn't mean anything. You can still write a piece of crap next time around."

He certainly didn't take the easy route when writing Thursday's episode of NBC's "Community," which features a body-switching "Freaky Friday" theme that throws the study group for a loop.

"Just randomly the nugget of 'Freaky Friday' was something that was in my head, like the idea," he explained. "Not surprisingly in the world of 'Community,' the writers were like, 'Oh my God, we talked about a body switching thing at some point.' Then we realized sort of in talking out loud this was a great opportunity to use that device to do the real emotional part of the story, which is obviously Troy and Britta and Abed will be sucked into that."

On the episode, titled "Basic Human Anatomy," Danny Pudi and Donald Glover play each other's characters. "They know each other so well as friends on and off-screen, they were actually recording their parts for each other. So, they were really giving each other homework basically. They really did study up."

And although it's only his first time writing for the comedy in its almost four seasons on-air, Rash made sure to include an acting challenge for himself, which doubled as revenge on co-star Joel McHale. Rash's Dean Pelton gets to switch bodies with Jeff (McHale) - kind of - and the actor proves he can do a pretty good impersonation of his co-star.

"I just like to give Joel s--t in general," the alum of L.A.'s Groundings Improv group said. "It was fun for me just to even do it. It's sort of like payback for me, because when we did the documentary episode and he got to 'play me' -- an exaggerated, horrible version of me for the video - I was always partly offended."

That's a writer's perk, but not all that Rash got out from the experience of writing the episode.

"It's hard, but it's a great ride," he said. "It was a dream come true. It's very simple, I wanted to do right by our writers and by. I hope I did. They were so supportive, it's really a team effort too. At the end of the day, it's people loving a show and doing their best to keep it going. All very good."

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Country singer George Jones dead at 81

By Bill Trott

WASHINGTON (Reuters) - George Jones, a classic country singer with a voice full of raw honky-tonk emotion and a life full of honky-tonk turmoil, died on Friday at age 81, his spokesman said.

Jones, whose career spanned more than six decades and included hits such as "He Stopped Loving Her Today" and "Window Up Above," died at Vanderbilt University Medical Center, in Nashville.

He had been hospitalized since April 18 with fever and irregular blood pressure, spokesman Kirt Webster said.

In November 2012, Jones embarked on a farewell tour after a career that produced his first top 10 record in 1955 with "Why Baby Why."

The "Grand Tour" was to conclude in Nashville in November this year, where Jones was to be joined by some of the many stars who influenced him.

News of his death brought tributes from a number of country music's top stars.

"Heaven better get ready for George Jones. He will always be the greatest singer of real country music - there'll never be another," Alan Jackson said on Twitter.

Dolly Parton said, "My heart is absolutely broken. George Jones was my all time favorite singer and one of my favorite people in the world."

"George Jones has passed. Damn. Thought he'd live forever. Let's break out his catalogue and play it all day," said Toby Keith.

Like his idol, Hank Williams, Jones battled addiction. Alcohol and cocaine frequently derailed his career and at one point his reputation for canceling performances earned him the nickname No-Show Jones.

But when Jones did show up and was in good form, listeners were treated to a powerful and evocative voice. Jones was at his best with cry-in-your-beer songs made extra mournful by his masterful phrasing.

As his late contemporary Waylon Jennings put it, "If we could all sound like we wanted to, then we'd all sound like George Jones."

Born in Saratoga, Texas, on September 12, 1931, Jones began performing for spare change as a boy on the streets of nearby Beaumont. Under the influence of Williams, Ernest Tubb and Lefty Frizzell, he graduated to the rough roadhouses of East Texas.

Jones had an early marriage, a divorce and a stint in the Marines before his first hit, "Why Baby Why" in 1955. His first No. 1 song, "White Lightning," came in 1959, followed by "Tender Years" in 1961.

'THE POSSUM'

The next two decades brought a string of top 10 songs - "If Drinkin' Don't Kill Me (Her Memory Will)," "Window Up Above," "She Thinks I Still Care," "Good Year for the Roses," "The Race Is On" and "He Stopped Loving Her Today," which Jones said was his favorite. He also had a successful run of duets early in his career with Melba Montgomery.

Jones, who was known as "The Possum," divorced his second wife in 1968 and the next year married one of country music's most popular singers, Tammy Wynette. The pairing was an enormous professional success for both as they recorded and toured together and Jones began working with Billy Sherrill, Wynette's producer.

During his time with Sherrill, Jones refined his honky-tonk voice and sang more ballads, often with the lush string accompaniment that had become a trend in the country music capital of Nashville.

The marriage to Wynette went bad as Jones' addiction problem escalated and Wynette claimed he once came at her with a gun. They divorced in 1975 but later resumed recording together. Wynette died in 1998 at age 55.

Jones continued to put out hit songs in the early 1980s, even as cocaine compounded his personal tumult. Amid a string of hospitalizations and arrests, he disappeared for days at a time, missed shows and recording sessions and took police on a drunken chase through Nashville.

Jones credited fourth wife Nancy, whom he married in 1983, with helping him clean up. But in 1999 he was seriously injured after driving drunk and crashing into a bridge, leading to another stay in rehab.

At one point Jones was so incorrigible that one of his four wives cleared the liquor from their home and hid all the car keys so he could not go for more. Jones responded by cranking up his riding lawn mower and driving it to a bar - an escapade he chronicled in "Honky Tonk Song."

Although he was heard infrequently on mainstream country radio in the later years of his career, Jones was a sought-after duet partner and won a Grammy for the song "Choices" in 1999.

He also won a Grammy for best male country vocal performance in 1980 for "He Stopped Loving Her Today," and received a lifetime achievement Grammy last year.

(Additional reporting by Tim Ghianni in Nashville and Jill Serjeant; Writing by Bill Trott; Editing by Vicki Allen)

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Feminist author Mary Thom, 68, killed in NY motorcycle crash

NEW YORK (Reuters) - Renowned feminist and former women's magazine editor Mary Thom was killed in a motorcycle crash over the weekend in Yonkers, New York, friends and colleagues said.

Thom, 68, a former editor of Ms. Magazine, crashed her motorcycle on the Saw Mill Parkway on Friday evening, said Eleanor Smeal, publisher of Ms. Magazine and a close friend of Thom.

An accomplished author, editor and journalist, Thom devoted her career to giving voice to women's rights issues in books, magazine columns and through her work within the women's movement, which mourned the loss over the weekend.

"We, who are Mary's friends and family haven't absorbed her loss yet: it's too sudden,'' said actress Jane Fonda and feminist authors Gloria Steinem and Robin Morgan, three co-founders of the Women's Media Center, in a statement.

"Ms. Magazine, the Women's Media Center, the women's movement and American journalism have suffered an enormous blow."

Thom, an Akron, Ohio, native, spent more than a quarter century at Ms. Magazine and wrote a book about working her way from an entry level research position to executive editor in "Inside Ms.: 25 Years of the Magazine and the Feminist Movement," according to Smeal.

Thom also edited a book of letters sent to the magazine during the publication's formative years between 1972-1987.

Smeal said she would sorely miss Thom's virtually constant presence at the heart of the movement over decades.

"She was always there,'' Smeal said on Sunday. "She was always there as a guiding hand to make sure that the spirit of feminism came through in everything we wrote at the Women's Media Center and at Ms. Magazine. She will truly be missed."

Thom was an avid motorcycle enthusiast who never owned a car and had been riding for four decades, her nephew Thom Loubet told the Journal News newspaper in Westchester, New York.

She was a top editor at the Women's Media Center at the time of her death, Smeal said.

(Reporting by Chris Francescani; Editing by Barbara Goldberg and Jackie Frank)

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Catherine Zeta-Jones seeks help again for bipolar disorder

LOS ANGELES (Reuters) - Actress Catherine Zeta-Jones has sought help again for bipolar disorder, in what her publicist called a "pro-active" move to take care of her health.

It's the second-known trip to a healthcare facility for the British actress since 2011, when news first broke that she suffers from bipolar II disorder - a milder form of the illness that is marked by sharp mood swings and erratic behavior.

"Catherine has pro-actively checked into a healthcare facility," publicist Cece Yorke said on Monday. "Previously Catherine has said that she is committed to periodic care in order to manage her health in an optimum manner."

Zeta-Jones, 43, who won an Oscar for her role in the 2002 musical "Chicago," underwent treatment in 2011 for what aides said was the stress of coping with the advanced throat cancer diagnosis and treatment of her husband, actor Michael Douglas.

No specific reason was given this time for her decision to seek help.

Bipolar II is a milder form of the disorder and is marked by less manic "up" moods but more depressive episodes, according to medical experts. It can be treated with medication or therapy.

Zeta-Jones was last seen on screen in February in the crime thriller "Side Effects," which received warm critical acclaim.

(Reporting By Jill Serjeant; Editing by Philip Barbara)

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Jackson looked like hospice patient, paramedic tells wrongful death trial

LOS ANGELES (Reuters) - Michael Jackson looked pale, thin and like a hospice patient on the day he died in 2009, a Los Angeles paramedic told a jury on Tuesday in the wrongful death lawsuit involving the pop star and the promoters of a never-realized series of London concerts.

Richard Senneff, the first witness in the civil trial, testified that he was initially unaware that the person lying in pajamas on a bed in the rented Los Angeles mansion was the world famous pop singer.

"The patient appeared to be chronically ill to me," Senneff testified, saying he could see Jackson's ribs. "He was very pale and underweight. I thought perhaps this was a hospice patient."

Jackson's personal physician, Dr. Conrad Murray, appeared "frantic" but never mentioned that the "Thriller" singer had taken the anesthetic propofol, Senneff said.

"He was pale, he was sweating, he was very busy," Senneff said of Murray, who was convicted in 2011 of the involuntary manslaughter of Jackson through an overdose of propofol, which is usually used in surgical settings.

Senneff, who gave similar testimony in Murray's 2011 criminal trial, was testifying on Tuesday on behalf of Jackson's mother and his three children.

Jackson's immediate family accuses AEG Live, who were promoting a series of London concerts by Jackson, of negligence in hiring Murray as the singer rehearsed for what would have been a career comeback after years out of the musical spotlight.

AEG Live maintains that Jackson kept his dependency on propofol secret from outsiders, and that a proposed contract with Murray was never fully executed.

Jackson, 50, was pronounced dead in a Los Angeles hospital on June 25, 2009, a day after a rehearsal and three weeks before the first concert was due to take place in London.

Katherine Jackson, 82, and the singer's two oldest children Prince and Paris, are also on the witness list later in the civil trial along with singers Diana Ross and Prince.

(Reporting By Jill Serjeant; Editing by Sandra Maler)

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